Laura Erickson's For the Birds

Poetry Day: Mary Oliver “Goldfinches” and “Wild Geese”

Birds can hold appeal for us both intellectually and spiritually. Something of their beauty captures our hearts, some of their comical plumages or behaviors satisfy our whimsical side, for many of us something of their flavor appeals to our mouths and stomachs. So literature about birds can approach the subject from just about any direction. One of my favorite poets, Mary Oliver, winner of the National Book Award and the Pulitzer Prize for Poetry, often chooses birds as her subjects, perhaps because they are so evocative of so many things. Today I’ll share three of her poems from her book, Owls and Other Fantasies, published by Beacon Press in 2003.

Wild Geese

You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about your despair, yours, and I will tell you mine.
<Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting –
over and over announcing your place
in the family of things.

Goldfinches

In the fields
we let them have-
in the fields
we don’t want yet-

where thistles rise
out of the marshlands of spring, and spring open-
each bud
a settlement of riches-

a coin of reddish fire-
the finches
wait for midsummer,
for the long days,

for the brass heat,
for the seeds to begin to form in the hardening thistles,
dazzling as the teeth of mice,
but black,

filling the face of every flower.
Then they drop from the sky.
A buttery gold,
they swing on the thistles, they gather

the silvery down, they carry it
in their finchy beaks
to the edges of the fields,
to the trees,

as though their minds were on fire
with the flower of one perfect idea-
and there they build their nests
and lay their pale-blue eggs,

every year,
and every year
the hatchlings wake in the swaying branches,
in the silver baskets,

and love the world.
Is it necessary to say any more?
Have you heard them singing in the wind, above the final fields?
Have you ever been so happy in your life?

Little Owl Who Lives in the Orchard

His beak could open a bottle,
and his eyes - when he lifts their soft lids -
go on reading something
just beyond your shoulder -
Blake, maybe,
or the Book of Revelation.

Never mind that he eats only
the black-smocked crickets,
and the dragonflies if they happen
to be out late over the ponds, and of course
the occasional festal mouse.
Never mind that he is only a memo
from the offices of fear -

it’s not size but surge that tells us
when we’re in touch with something real,
and when I hear him in the orchard
fluttering
down the little aluminum
ladder of his scream -
when I see his wings open, like two black ferns,

a flurry of palpitations
as cold as sleet
rackets across the marshlands
of my heart
like a wild spring day.

Somewhere in the universe,
in the gallery of important things,
the babyish owl, ruffled and rakish,
sits on its pedestal.
Dear, dark dapple of plush!
A message, reads the label,
from that mysterious conglomerate:
Oblivion and Co.
The hooked head stares
from its house of dark, feathery lace.
It could be a valentine.

That was Mary Oliver, and I’m Laura Erickson, speaking For the Birds.